Carlton Douglas Ridenhour, better known by his stage name, Chuck D, is an American rapper, author, and producer. He helped create politically and socially conscious rap music in the mid-1980s as the leader of the rap group Public Enemy.

Upon hearing Ridenhour’s demo track “Public Enemy Number One”, fledgling producer/mogul Rick Rubin insisted on signing him to his Def Jam label.

Their major label albums were: Yo! Bum Rush the Show (1987), It Takes a Nation of Millions to Hold Us Back (1988), Fear of a Black Planet (1990), Apocalypse 91… The Enemy Strikes Black (1991), Greatest Misses (1992), and Muse Sick-n-Hour Mess Age (1994). They also released a full length album soundtrack for the film He Got Game in 1998.

He has appeared as a feature artist on many other songs and albums, having collaborated with artists such as Janet Jackson, Kool Moe Dee, The Dope Poet Society, Run-DMC, Ice Cube, Rage Against The Machine, Anthrax, John Mellencamp and many others.

Ridenhour is politically active; he co-hosted Unfiltered on Air America Radio, testified before Congress in support of peer-to-peer MP3 sharing, and was involved in a 2004 rap political convention. He continues to be an activist, publisher, lecturer, and producer. Addressing the negative views associated with rap music, he co-wrote the essay book Fight the Power: Rap, Race, and Reality, along with Yusuf Jah. He argues that “music and art and culture is escapism, and escapism sometimes is healthy for people to get away from reality”, but sometimes the distinction is blurred and that’s when “things could lead a young mind in a direction.”

In an interview with Le Monde published 29 January 2008, Chuck D stated that rap is devolving so much into a commercial enterprise, that the relationship between the rapper and the record label is that of slave to a master. He believes that nothing has changed for African-Americans since the debut of Public Enemy and, although he thinks that an Obama-Clinton alliance is great, he does not feel that the establishment will allow anything of substance to be accomplished.

In an interview with the magazine N’Digo published in late June 2008, he spoke of today’s mainstream urban music seemingly relishing in the addictive euphoria of materialism and sexism, perhaps being the primary cause of many people harboring resentment towards the genre and its future. However he has expressed hope for its resurrection, saying “It’s only going to be dead if it doesn’t talk about the messages of life as much as the messages of death and non-movement.”

Most recently Chuck D became involved in Let Freedom Sing: The Music of the Civil Rights, a 3-CD box set from Time Life. He wrote the introduction to the liner notes and is visiting colleges across the nation discussing the significance of the set. He’s also set to appear in a follow up movie called Let Freedom Sing: The Music That Inspired the Civil Rights Movement.

In 2010 Chuck D released a track entitled “Tear Down That Wall.” He says, “I talked about the wall not only just dividing the U.S. and Mexico but the states of California, New Mexico and Texas. But Arizona, it’s like, come on. Now they’re going to enforce a law that talks about basically racial profiling.”

He is on the board of the TransAfrica Forum a Pan African organization that works for the right of Africa, Caribbean and Latin American issues.

In a follow-up October 31, 2010 interview on Conspiracy Worldwide Radio, Chuck discussed the importance of Public Enemy’s tour in South Africa and his range of projects expected in 2011.

www.publicenemy.com

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